Last Saturday, I did a 5 to 8 mins demo to a group of Master Class students from LaSalle College of the Arts. It was a very hot day but it also drizzled for a while and I just sat there on the same spot. I thought it was my sweat dripping from my forehead. It was a fun outing!
This sketch is after a sketch done in Little India. I did this at a spur of the moment at home after a long day at work and too much negative energy waiting to be released. That moment really transformed negative energy to positive energy.
Cleaning the palette, so not to waste the colours I did this sketch after another sketch on Tiong Bahru. Now my palette is clean. This sketch out of a spur moment brought back fond memories when I had exhibition for consecutive two years in 2011 and 2012. It was captured by the media at that time with my sketch on the article. You can see more Tiong Bahru sketches at Tiong Bahru Sketches
It is customary for Urban Sketchers Singapore to visit Chinatown near Chinese New Year for our sketchwalk. It was a huge turn-out for this first sketchwalk of the year. This year it will be year of the dog and the dog sculptures are up already at Chinatown. The are few dogs and they are very skinny. Some said they look more like fox.
We were lucky to find a cool spot next to the main road to sketch. I also had a chance to witness how the organiser placed the road barricades a day before and pushed them all the way out to re-direct the traffic just after lunchtime. A man was also seen to carry a sign that read "Please move on when pedestrain crossing is green" It should be spelled as pedestrian.
People are working hard for the Chinatown light up on this night for preparation of Chinese New Year. Hopefully there will be no rain!
Let's splash some colours on a new watercolour paper that was given to me but not touched for a long time. I believe it is Arches paper. I ended up sketching a sketch on Marina Bay Sands. Love the ink and watercolours flow on the paper. I found it very deliberating after completing it.
This is the first time I visited Malaysian Food Street at Sentosa, so much food to choose from and really spoilt for choice! Finally I decided to eat the Chay Keow Teow. As I did the sketch, I noticed there was another stall selling Chay Keow Kok, which was what we called carrot cake in Singapore. This sketch is on the first page of a long Moleskin Japanese Album Large.
I did a video on my recent sketches on India. I was with my sketcher friends from 08 - 15 Dec 2017 to Vijayawada and Amaravati, Andhra Pradesh on a project called "We Sketch Amaravati Together".
Andhra Pradesh is one of the 29 states of India, situated on the southeastern coast of the country. The state is the seventh-largest state in India covering an area of 162970 sq km. As per 2011 Census of India, the state is tenth-largest by population with 49,386,799 inhabitants. Amaravati has 29 villages and it will be the brand new capital city for Andhra Pradesh under the vision of N Chandrababu Naidu, the Chief Minister of Andhra Pradesh, also the President of Telugu Desam Party and Member of Legislative Assembly, Kuppam.
Amaravati, is envisioned to be a city of world-class standards with a vision of increasing Andhra Pradesh’s prominence in the world. For a start, Construction of the seed capital development area — covering 16.7 sq km and comprising the AP Legislative Assembly, Legislative Council, High Court, Secretariat, Raj Bhavan, quarters for the ministers and officials, and the township for government officials had already started.
Our sketching trip is fully sponsored by the Ministry of Trade and Industry, Singapore and our mission is to sketch the existing 29 villages in Amaravati to help capture the current heritage and culture before the new city is built.
I am probably having withdrawal syndrome from the India trip. I just splashed and added lines and colours to a very old watercolour paper. I did feel a little better after completing the sketch at home.
It was free and easy on day seven as we would be leaving for airport in the evening at around 5:30pm to catch a 8:10pm flight from Vijayawada Airport to Bengaluru Airport then take the Singapore Airline flight back to Singapore. I was on an earlier hotel check-out time at 12 and I also had a some discomfort in the stomach so I did not go out in the car to sketch the Krisna River or the city for the last time. Those who were on 3:00pm check-out time did that. After the hotel check-out, we went shopping for some gifts and kurta blouse for me and shirts for my son. I came back to the hotel and managed to do this sketch inside the hotel lobby looking out to the street from the corner glass panel. It was also the last sketch in the Seawhite Conertina Sketchbook. Perfect!
38m high sitting Buddha in dhyana position at Dhyana Buddha Park, Amaravathi, Andhra Pradesh, India.
The Buddha statue was commissioned in 2003 and completed in 2015. The statue has a museum in the base underneath it, which consists of sculptures depicting scenes with Buddhist significance, most modern copies of the original reliefs from the Amaravathi Mahachaitya stupa which are now in museums around India and the world. The eight pillars signifies path for salvation followed by Buddha, four zones for noble truths and five ayaka pillars for stages of life. Andhra Pradesh Tourism Development Corporation is going to complete the Theme Park in front of the statue which is said to be opened for the public in 2018.
In the morning we visited the Amaravati Archaeological Museum and there was a model of The Great Stupa or Mahachaitya in the open courtyard. We were not allowed to take photos inside the museum so I sketched this big sculptural cow on the left. It was about 2.0m long x 1.2m high housed inside a transparent box. We then walked to the ruins of The Great Stupa nearby and stayed there to sketch the park. I sketched the original foundation of the stupa and you can imagine how big was the dome on top of it. All the broken pieces from the stupa were displayed at the museum earlier and it depicted the life of Buddha and the glorious history of the Indian dynasties when Buddhism flourished in Amaravati. The stones displayed here at the park were relics from various locations in India.
Amaravati was home to best known 2000 years old Buddhist relics, which made the place an important pilgrimage for the Buddhists even to this day. The famous monk in the classic Chinese novel "Journey to the West" with Sun Wukong, the monkey king was said to retrieve Buddhist sutras from the west, ie Amaravati.
Architectural Drawing by StudyBlue.com, Amaravati Mahachaitya or The Great Stupa was built around the 2nd century. It was the largest stupa in India and the stupa was earlier a simple structure with limestone crossbars and simple carvings, but when renovated by the Satavahana rulers, it became a highly marked architectural monument. Excavated a few years back, this stupa is engraved with intricate carvings that depict the life and teachings of Lord Buddha. If you are interested to know more The Great Stupa and Buddhism in Amaravathi, this link is very useful.
"If A equals success, then the formula is: A=X+Y+Z. X is work. Y is play. Z is keep your mouth shut." Albert Einstein
"The only time I feel alive is when I'm painting." Van Gogh
"I dream a lot. I do more painting when I'm not painting. It's in the subconscious." Andrew Wyeth
"I prefer drawing to talking. Drawing is faster, and leaves less room for lies." Le Corbusier
"If people knew how hard I have had to work to gain my mastery, it wouldn't seem wonderful at all." Michelangelo
"From the time I was six, I was in the habit of sketching things I saw around me, and around the age of fifty, I began to work in earnest, producing numerous designs. It was not until after my seventieth year, however, that I produced anything of significance. At the age of seventy-three, I began to grasp the underlying structure of birds and animals, insects and fish, and the way trees and plants grow. Thus, if I keep up my efforts, I will have an even better understanding when I am eighty, and by ninety will have penetrated to the heart of things. At one hundred, I may reach a level of divine understanding, and if I live a decade beyond that, everything I paint-every dot and line-will be alive. I ask the god of longevity to grant me a life long enough to prove this true." Hokusai, postscript to One Hundred Views of Mount Fuji [translated by Carol Morland]
"I'm glad I haven't found my style yet. I'd be bored to death." Degas
"The artist is primarily a visual person. I have always believed that there is no essential difference between the basic visual relationships that concern the fine artist, the graphic artist, the industrial designer, and the architect. The difference is in the degree of complexity of visual organization demanded by each situation. Beyond that, there are the materials and techniques of each area. I am convinced that there is a visual discipline suitable for all of these areas. It is based on the exciting concept that there can be order and structure to the organization of visual expression." Rowena Reed Kostellow
"I've always rated doodles as a method to capture or generate solutions to a creative problem. I also doodle in meetings and although refused to be intimidated into giving up, I always felt very slightly guilty. No one ever asked me to actually stop. I suspect they were caught between the belief that I wasn't paying attention and the desire to enjoy the final results. Anyway its good that some scientist thinks it helps retain information. Why do scientists tot up the numbers and announce the result like they've discovered something new? . . . Most creatives I know are aware of the value of doodling and many have given thought to the mechanics and psychology behind it. None, that I know anyway, felt the need to publish an academic paper though." Alan Scott